![]() | HIDDEN IN PLAIN VIEWA SECRET STORY OF QUILTS AND THE UNDERGROUND RAILROADJacqueline L. Tobin and Raymond G. Dobard, Ph.D.Forewords by Cuesta Benberry, Floyd Coleman, Ph.D., and Maude Southwell Wahlman, Ph.D.A Doubleday Hardcover (ISBN 0-385-49137-9) US $27.50 / $39.95 CAN |
"There are five square knots on the quilt every two inches apart. They escaped on the fifth knot on the tenth pattern and went to Ontario, Canada. The monkey wrench turns the wagon wheel toward Canada on a bear's paw trail to the crossroads ..." |
In I993, author Jacqueline Tobin visited the Old
Market Building in the historic district of
Charleston, South Carolina, where local craftspeople
sell their wares. Amid piles of beautiful handmade
quilts, Tobin met African American quilter Ozella
Williams and the two struck up a conversation.
With the admonition to "write this down:'
Williams began to tell a fascinating story that
had been handed down from her mother and
grandmother before her. As Tobin sat in rapt
attention, Williams began to describe how slaves
made coded quilts and then used them to navigate
their escape on the Underground Railroad. But
just as quickly as she started, Williams stopped,
informing Tobin that she would learn the rest
when she was "ready." During the three years it
took for Williams's narrative to unfold--and as
the friendship and trust between the two women
grew --Tobin enlisted Raymond Dobard, Ph.D.,
an art history professor and well-known African
American quilter, to help provide the historical
context behind what Williams was describing.
Now, based on Williams's story and their own
research, Tobin and Dobard, in what they call
"Ozella's Underground Railroad Quilt Code,"
offer proof that some slaves were involved in a
sophisticated network that melded African textile
traditions with American quilt practices and
created a potent result: African American quilts
with patterns that conveyed messages that were,
in fact, essential tools for escape along the
Underground Railroad.
"Tobin and Dobard have taken quilt scholarship to another level. They have revealed that quilts are at once sources of pleasure, information, and meaning and are central to understanding the history of people of African ancestry in North America."
"Jacqueline Tobin is to be applauded for being in the right place at the right time, and having enough faith to go back again and again to listen to the story of one family's effort to encode knowledge in their quilt tops. And one salutes her partnership with Raymond dobard, whose knowledge of quilting technology is so outstanding. their persistence...is vital to our understanding of African American culture and its myriad contributions to American life."
--- MAUDE SOUTHWELL WAHLMAN, PH.D., AUTHOR OF SIGNS AND SYMBOLS: AFRICAN IMAGES IN AFRICAN AMERICAN QUILTS
"By engaging in a vast amount of research, authors Tobin and Dobard have established a significant linkage between the Underground Railroad effort, escaping slaves, and the American patchwork quilt."
--- CUESTA BENBERRY, AUTHOR OF ALWAYS THERE: THE AFRICAN AMERICAN PRESENCE IN AMERICAN QUILTS
JACQUELINE TOBIN is the author of The Tao of Women, and is also a teacher, collector, and writer of women's stories. She lives in Denver, Colorado. RAYMOND DOBARD, PH.D., is an art history professor at Howard University and a nationally known African American quilter. He lives in Washington, D.C.
JACQUELINE TOBIN will be the keynote speaker at the FOURTH ANNUAL OHIO UNDERGROUND RAILROAD SUMMIT, sponsored by the Friends of Freedom Society to be held October 15 - 17, 1999 at the Holiday Inn - Dayton Mall, Miamisburg, Ohio.
Visit the Friends of Freedom Society homepage at: http://www.coax.net/people/lwf.focn.htm
Visit Doubleday on the Web at: http://www.bdd.com
AND so begins the fascinating story that
was passed down from generation to
generation in the family of Ozella
McDaniel Williams. But what appears to be
a simple story that was handed down from
grandmother to mother to daughter is actually
much, much more than that. In fact, it is a coded
message steeped in African textile traditions that
provides a link between slave-made quilts and the
Underground Railroad.
FROM THE FOREWORDS